Ah, Color!

These two images (cropped for this post) were taking within seconds of each other. Do you see the slight color difference? They are the same flower.

These two below (again cropped, but this time I was unable to get quite as close to the same image by cropping, but close enough) were also shot within seconds of each other.

See the problem one can have with color?

Same camera. Same light. Only slightly different angles or distances.

When I get home I try very hard to remember just WHAT the “real” color was (at least real to me). It can be a challenge. I know I should just carry a gray card with me. Maybe it’s time …?

What We See, What We Think We See

Snow is white, yes?

Well, not really.

The blue photo of this branch up in Yosemite National Park is what the camera saw. I knew it was bluishbut I didn’t think it was that blue. Our eyes — or really our brain I suppose — cause us to see things differently than truth. (One can apply that to more than sight, as many of us have learned.)

Here, have some blue, as the camera saw the snow and branch:

Snow and a Branch, 12.31.16Snow_and_a_Branch,_12.31.16.jpg

Dan has explained all of this to me — about the snow reflecting this color (if I’m remembering correctly). And a site that is clearly set up for teachers has this  and more:

There’s a scientific reason that snow is white. Light is scattered and bounces off the ice crystals in the snow. The reflected light includes all the colors, which, together, look white.  While your red sweater absorbs all colors except red and reflects red back out for people to see and a yellow tennis ball absorbs all colors except yellow and reflects yellow back out for people to see, snow reflects all colors. And all the colors of light add up to white.

But snow can also look blue or purple or even pink depending on how the sunlight hits it and whether it is in shadow. Some artists try to avoid using pure white paint in their paintings entirely and instead think about what colors they actually see instead of what colors they expect to see. Mixing a little white with other colors might look more like the snow that they see.

What I thought I was seeing was a bit more like this … and still it isn’t truly white:

Snow and a Branch (white adjustment), 12.31.16Snow_and_a_Branch_(white_adjustment),_12.31.16.jpg

Sometimes, though, I give up. Did I really see it the way I’m remembering? After all, this was nearly a year ago! I can always just give up and make it black and white.

Snow and a Branch (B&W), 12.31.16Snow_and_a_Branch_(B&W),_12.31.16.jpg

Red Is Tricky

Red_Rose_(II),_11.3.14

Working with red can be a bit of a challenge. The camera has a tough time handling a really intense red. ( The same can go for purple, and certain blues as well.) My husband, G Dan Mitchell, has explained the why of it to me several times, but I’m not able to wrap my slow brain around it all, or at least I’m not able to hold on to the knowledge for much longer than the blink of an eye. Or shutter. Or something. That being said, I continue to work with the color. This time of year I work with it quite a bit. Much of the time I have to turn down the saturation. I’ve noticed that highly saturated photos are a big hit with a lot of people, but I want something to look the way I remember seeing it, and I don’t usually see things so ultra-saturated.

This photo above took some work. And yes, I did slide that saturation a bit to the left. At this point I think I may try to print it, as I think it would make a lovely card, and for a variety of events: Christmas, Valentine’s Day, special occasions … it works for all. It think it would make a good larger print as well. I guess it’s time to feed some paper into the printer!

Side note: I’m not sure if I’ll be posting anything for the next few days: I’ve been hired to perform in some Christmas concerts out of town, so I’ll just have to play it by ear. The posting, that is, not the music. Dan will hold down the fort here … you can always go look at his absolutely fantastic work. Needless to say, I learn a lot just by studying his photographs.